Posted in
Outside Blog Thursday, June 14, 2012
By Adventure Lab
Midway Atoll is a 2.4-square-mile atoll in the middle of the Pacific Ocean with three islands covering 1,549 acres.
It's small, remote, and an essential landing strip for giant seabirds.
More than three million of them plop down on the islands every year,
which means it's crowded, especially when the birds decide to lay their
eggs. Virtually every square foot has a nest.
Three species of albatross, of which the most prominent is the Laysan albatross—with
450,000 nesting pairs,
take up space on the island every winter. Laysans are big birds, with
roughly six-foot wingspans. They stay, more or less, for nine months.
They are monogamous, for the most part, and can live for up to 40 years.
After the pairs land in October or November, they spend some time
dancing and clicking and deciding on a nest before laying an egg. The
male and female take turns incubating the egg for about two months, fly
off on a series of epic journeys to find food for their young over the
course of four or five months, and then leave the youngsters alone so
they can fledge in June or July.
Photographer and filmmaker
Chris Jordan
stepped into this scene—carefully, of course—and stayed for a couple
weeks. It affected him in a profound way. That's because, as you've
probably heard and seen, a lot of the chicks die with large amounts of
plastic in their stomachs. Their parents inadvertently scoop up the
debris while feeding on squid and other fish at the top of the Pacific
Ocean, and regurgitate the plastic into the youngsters' mouths.
Eventually, Jordan decided to
make a movie called Midway, and he wants to go back. He's hoping to raise $100,000 on
Kickstarter to finish his project. We checked in with him to find out a little bit more about his motivation.
Do you have a favorite photograph of an albatross chick?The
two weeks we spent photographing the hatching chicks on Midway was one
of the most beautiful experiences of my whole life. The mother
albatrosses allowed us so close to their hatching babies that in one
case, my lens was right in the nest and the mother’s wing was resting on
my head.
Albatrosses are as big as eagles, with powerful beaks that could rip
your face off if they decided to. But they trusted us to come literally
within a few inches of their hatching babies with our cameras,
displaying an elegance and grace that was incredible to behold. I will
never forget the intimacy of that experience.
Was there a specific moment when you decided to make the film?
The
moment I knew I had to push deeper into the story of Midway was when
I was visiting a girls’ school in Brisbane, Australia, showing my
photographs of the plastic-filled birds. At the end of my talk, one of
the teachers broke down weeping in front of her whole school. I stood
there frozen, with my heart breaking, as tears poured down her face
and her voice shook with horror and grief, and she asked me “
How do we get to hope from here?”
Her question resonated for me like a temple bell on so many levels,
and I didn’t have an answer. I think maybe that’s a question we are
all holding right now, as the news about the health of our world gets
worse every day, and our leaders become more and more lost and
paralyzed. I knew I had to go back to Midway and stand in the fire of
that question until I had something to offer that teacher. The result
has been a three-year project that has changed my life at the very
core.
What have scientists told you about what the plastic does to the Albatross chicks?
That
is complex because albatross chicks have a high natural mortality
rate, and it is difficult to determine in a particular case whether a
chick died from plastic or from other causes. For example, if two parent
albatrosses leave their nest for five days in search of food, their
chick may be subjected to dehydrating heat, or rain storms that cause
hypothermia. If the baby dies during that time, who can say what was the
exact cause of death, and whether the 22 plastic bottle caps in its
stomach had a contributing effect? All that can be said with certainty
is that the plastic is increasing the mortality of the albatross chicks
by an unknown factor.
But personally, I am not so much interested in saving the albatross
as I am in receiving the urgent alarm signal they are sending us about
the state of our world. The birds on Midway are like messengers, the
canary in the coal mine. When the canary dies, the miners don’t run
over and try to save the canary— they receive the message that bird
just gave its life delivering, and then act quickly to save themselves.
That approach resonates with me because it doesn’t view the birds as
helpless victims that we passively observe; it places a duty on us to
receive their message, and be changed by it (or not).
What do you hope the end result of the movie will be?
I
believe the story of Midway Island offers a profound metaphor for our
time, like an epic piece of literature that carries symbolism and
archetype on multiple levels. A lot of smart people are saying that what
humanity needs right now is a shift in our story, and my own theory is
that we need a new love story—a real one that we can believe in, and
that includes us all. First-world culture has lost its connection with a
deeply felt reverence for the miracle of our life, and for our sacred
place in the great mystery. Being on Pihemanu (the Hawaiian name for
Midway) is like standing on a razor’s edge between darkness and light,
paradise and hell, the past and the future; it is a focused microcosm of
our world, where horror meets innocence, grief meets joy, birth meets
death, all wrapped in an envelope of violent history and stunning
natural beauty that overwhelms the senses and transforms the mind. I
don’t hold any specific hopes for the end result of my project; my
fiduciary duty runs to the story itself, and I consider it my job to
honor that story with the highest quality piece of visual poetry that
can be achieved with the resources I have available to me. And once I
tell that story, my role is done, and that is where the viewer’s
responsibility begins.
For more on the
Midway Film Project by
Chris Jordan, check out
Kickstarter.
H/T:
@Revkin
—Joe Spring
@joespring
facebook.com/joespring.1